The Stanley Kubrick Archives

Writer and editor Alison Castle studied philosophy, photography, and film at Columbia (B.A.) and NYU (M.A.). Her publications include The Stanley Kubrick Archives, Stanley Kubrick’s Napoleon, and The Complete Jacques Tati, and her writing has appeared in Gagosian Quarterly, Vogue Italia, Vogue China, The Road Rat, and Chaos 69. She is also the president of Wendell Castle Project, a nonprofit organization dedicated to the late artist's legacy and archives.

In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: “It’s not a message I ever intended to convey in words. 2001 is a nonverbal experience… I tried to create a visual experience, one that directly penetrates the subconscious with an emotional and philosophic content.”

Now available as part of our Bibliotheca Universalis series, The Stanley Kubrick Archives borrows from the director’s philosophy. From the opening sequence of Killer’s Kiss to the final frames of Eyes Wide Shut, it allows the masterful visuals of Kubrick’s films to impress through a sequence of compelling, mesmerizing stills. We uncover Kubrick’s creative process through fascinating archival material, including set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules.

Accompanying the visual and archival material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick’s best interviews. The result is a visual, archival, and scholarly journey through masterworks of 20th-century cinema and the meticulous mind of the director behind them.