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Gamara de Lempicka 1898-1980: Goddess of the Automobile AgeGamara de Lempicka 1898-1980: Goddess of the Automobile Age
Gamara de Lempicka 1898-1980: Goddess of the Automobile Age

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48.00
Gamara de Lempicka 1898-1980: Goddess of the Automobile Age
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Gamara de Lempicka 1898-1980: Goddess of the Automobile Age

ID: 9783836532273
Gamara de Lempicka 1898-1980: Goddess of the Automobile Age  Gamara de Lempicka 1898-1980: Goddess of the Automobile Age
Translated by Google

Publication year: 2017

Number of pages: 95

ISBN: 9783836532273

Publisher: Taschen

Cover: Hard

Format: 210 x 260 mm

48.00

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Tamara De Lempicka

Gilles Néret (1933–2005) was an art historian, journalist, writer, and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU Museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Élie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.

Annotation

 

Tamara de Lempicka (1898–1980) lived art in the fast lane. With an appetite for glamour and fame as much as Left Bank bohemianism, she fled her native Russia after the Bolshevik revolution and set about taking Paris by storm. Her prolific, monumental oeuvre remains one of the most vivid visual documents of 1920s Art Deco.De Lempicka’s style deployed cool colors and tight post-cubist forms into an at once neoclassical and voluptuous figuration. Her subjects are often nude and always sensual, aloof, and powerful. Bedecked in seductive light and textures, they command our attention but typically avert their gaze with an aspect of haughty grandeur. They include both high-society patrons and progressive portraits of emancipated and lesbian women, such as Women Bathing and Portrait of Suzy Solidor. De Lempicka’s notorious Self-Portrait in the Green Bugatti, meanwhile, was commissioned for the cover of German magazine Die Dame and became an icon of speed, sophistication, and female independence.Through some of de Lempicka’s finest, most compelling portraits, this introduction explores the artist’s unique visual language and its privileged place not only in the annals of interwar art but also in the history of female artists and our collective consciousness of the Roaring Twenties.

  • The Author Tamara De Lempicka
  • Publisher TASCHEN
  • Language English
  • Number Of Pages 95
  • Format 210 x 260 mm
  • Cover Hardback
  • Year Of Publication 2017

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